Thursday, November 3, 2011

Movie Review: Der Schuh des Manitu

Der Schuh des Manitu




Native Americans are a dicey subject in fiction, mainly because of the stereotyping. There is also the problem that the term Native Americans can rub a cheese grater over the nerves of their souls. But really, it’s the stereotype that bothers most of us, I think. I mean, think about it a moment. I said Native American, and what did you think of? Buck skin wearing, noble savages with long straight black hair and a rudimentary grasp of language at best? Well, shame on you! They also talk about the Great Spirit at the drop of a hat and want to sing you the song of their people. Them and the Orientals get that weird, condescending attribute of being strangely wise, or mystical while also insulting them with the old ‘but of course they’re like children’ refrain as well. I’m not going to go into a lengthy discussion on it, but I sort of am because I’m talking about a movie that is set in the old west and involves made up Apaches. But it’s made by Germans, so they have like no connection to the actual history of the Native Americans and the movie is actually pretty funny since its jokes rarely ever touch on the known stereotypes beyond basic visuals and the Apache characters are the heroes. The best way I can describe it is that it’s like watching a hilarious movie about slave conditions in the Antebellum South made by Italians in blackface. You know that there is something terribly wrong with what’s being done, but the people who are doing it can’t begin to understand, and they’re being genuinely funny anyway. Look, maybe its better if I explain from the beginning…


Friday, October 21, 2011

Movie Review: Shogun’s Ninja





Ninja Bugeicho Momochi Sandayu (1980 Toei Company, Dir. Norifumi Suzuki)



You know, sometimes you can’t help but think that you’re watching porn even when you aren’t. That’s how I choose to start this review, because it’s the impression that at the forefront of my mind. It’s the music mostly, and the modern outfits. I mean it’s a movie that takes place in the 15th century and includes ninjas in clothes that look strikingly like modern camo. The music is so absurd that it hurts the movie, which is pretty absurd on its own. The music is early 80s rock-ish sort of J-Pop, and it make you fee like you’re watching a porn. I’m hardly in a position to bitch about rock music in a classic setting. I normally like that sort of thing. It worked in Ladyhawk and it worked in Legend so some degree. It can work, but it doesn’t work here. That’s hardly the movie’s only problem, I seem to remember lots of other problems, but the music always sticks in my head and I’m getting the intro written before we evens start the movie proper because I’m going to review this one in a way I haven’t reviewed in a while. Yeah, this movie is so screwy I’ve got to break down the plot and explain certain scenes in detail. We haven’t done this in a while, so put on your favorite Technicolor gi and let’s get ready to rumble!


Saturday, October 15, 2011

Movie Review: “Manos” The Hands of Fate



“Manos” The Hands of Fate (1966/ Dir. Harold P. Warren) MST3K Episode 24, Season 4,  January 30, 1993


When I do reviews of movies that were on MST3K, I get a copy of the movie on its own. No bots, no mads, not a single luxury. Now, I do that for a couple of reasons, the first of which is that I want to watch the movie on its own dubious merits. Once you watch the movie with the bots, you’re watching an episode of the TV show. Second, if you watch a TV broadcast, things may have to be cut for TV standards. Movies can be cut for both time and content, meaning that you might not get the whole movie on the show. Even if you have the whole movie, you’re still breaking up the flow for the commercial breaks and host segments. So I don’t review the episodes, I review the movie clean, or as clean as the DVDs I get will allow. I mention all of this because this movie is down right infamous, there are people who can’t even watch the MST3K episode, so this is heroic in the eyes of some.


Saturday, September 10, 2011

Movie Review: Miller’s Crossing

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Miller’s Crossing (1990/ 20th Century Fox/ Dir. Joel Coen)


I’m going to open with a controversial statement, I’ve never been a huge Coen Brothers fan. They’re okay, but they always strike me as trying just a little too hard to be quirky, rather than just letting it happen. Even when they’re good, you can see this going on. The deliberate attempt to be quirky works so less well than tings that are just plain quirky. Miller’s Crossing has many an example of them trying to hard, but for the most part it works. I think it tends to work because the movie isn’t supposed to be funny, and as such, the quirky characters can be horrifying, rather than comedic. I’m going to tell you now, I almost never laugh as a Coen Brothers comedy. However, let us look at what is good and not so hot in this movie, shall we?

Monday, August 8, 2011

Cartoon Review: Wallace & Gromit - A Matter of Loaf and Death



Wallace & Gromit - A Matter of Loaf and Death (2008/ Aardman Animations/ Dir. Nick Park)


I really hate doing this. I hate having to be the one to do this to a franchise I like so much, but there is nothing for it. I am not a hipster, I do not watch things “ironically” and not just because that’s not what ironic means. I don’t seek out things because I know they will be horrible, even though I will occasionally seek out things that I know won’t be very good. I don’t watch old Hercules movies so I can laugh at their lame production value or sneer at the lousy translations, but because I genuinely enjoy them. Even something like Hercules and the Captive Women, I decided to watch and review it with the hopes that it would be charming and fun. However, that movie wasn’t fun and this movie isn’t fun. That’s what I hate about this, I hate having to tell you that this is just really, really terrible.

Monday, August 1, 2011

TV Review: Nightmares & Dreamscapes – Battleground



Let’s be perfectly honest, this is not the best anthology series in the history of ever. I’m not going to do the run down of Stephen King’s career, or chronicle the ups and downs of his work here. Lately, I’ve found that no two people can really agree when exactly it was that they stopped loving the man’s work or when exactly things just plain stopped working for them. My particular view is that King has always been sort of lopsided and uneven. There are moments of brilliance and moments that don’t work and it’s up to each person to pick and choose what does and doesn’t work for them. However, for the most part, Nightmares & Dreamscapes didn’t much work for me. One problem was that it was greatly shot in Australia, but it’s trying to look like America (Or in one case, London) and it just doesn’t. That’s less of a problem here, as part of the show was shot in San Francisco (or someplace trying to look like it mixed with stock footage and matte shots) and the other part was just on a soundstage. None of that is very important though, the only really important question is “Does it work?” or possibly “Is it entertaining?” since I’ve admitted things that are complete train wrecks can be entertaining.



Well, the answer is “Yes.” A further answer might be, “It’s not the best Stephen King adaptation that’s ever been made, but it’s certainly the most fun.”

Saturday, July 30, 2011

Hey there

Okay, so… I never announced that I was going to take a break from movie reviews, because I had no idea when I would be back. I’m back, but I have no idea what the schedule is going to be. Work has become something of a time sink and when not working I’ve been sleeping. In truth, just sitting down to watch a movie has been such a chore I haven’t been bothering. When the idea of doing something you used to enjoy fills you with dread, its best to leave it for a while and come back when you feel refreshed.

So I took the month of July off.

If nothing goes too horribly wrong, I’ll be back to posting once a week soon. For August, I’m going to aim for every other week like I did in May and June. We’ll see how that goes.